Music for discerning ladies and gentlemen in the form of Power pop, Mod, Sixties, New Wave, Northern Soul and more.

Thursday, April 5, 2012
Thee Vicars - I Wanna Be Your Vicar ALBUM RELEASE
This album fell through the letterbox today (well, the in mail) and it is exactly what we expected from Thee Vicars....wall to wall kick arse rock'n''roll..... if you only buy one album this year, buy this one and dance until December!!!!!!
Fall down to your knees because Thee Vicars are about to deliver another chunk of garage punk gospel!
Heralded as the “heirs to The Horrors” only with a better cut of suit, this Bury St Edmunds band won’t think twice about dragging your favourite indie chart toppers down an alley and kicking them “kung fu style” into orbit before setting their hair straighteners alight. Their words, not ours.Now cut down to a three piece of Mike Whittaker, Chris Langeland and Alex De Renzi, they’ve never sounded better. This, their third album, still retains much of the mod-influenced garage-punk sound of their previous work but gives it a good dunk in the Mississippi until echoes of Memphis legends The Oblivians can be heard.
Upholding the garage-rock tradition of full throttle non stop gigging, Thee Vicars are constantly touring Europe and the UK, as well as having made a jaunt to the USA. They’ve opened for the likes of The Horrors, Black Lips and everyone’s favourite bandage clad punks The Mummies, and it shouldn’t be long before these clergymen are taking centre stage themselves.
The Guardian says “They might dress smartly, all suited and booted, but Thee Vicars create an unholy, unruly row. They are much like the Cribs’ new favourite proponents of back-to- basics rifferama, the Strange Boys... Together they create a decent fuzzy racket, full of energy and heavy on the treble, with a low-end throb that does the job.”
Meanwhile, writing about their second album Clash Magazine said, “Ironically, in displaying barely a drop of originality, Thee Vicars actually sound fabulously fresh when set against the current crop of synth-pop bunnies.”
Indeed, when the next big thing consistently looks and sounds like it was just spawned from Topman HQ, Thee Vicars couldn’t have picked a better time to unleash their rock‘n’roll attack. They may not be holy, but they sure as hell give a reason to be thankful!
Album available from: Dirty Water Records
Contact, Like and follow: Facebook
Follow this link for a pre release special price order: DW Discount
Follow this link for a pre release special price order: DW Discount
Tuesday, April 3, 2012
The Jags - Evening Standards
The Jags are a fondly remembered one-hit wonder of the late-70s U.K. power pop explosion. The quartet was formed in 1978 by the Yorkshire-based songwriting team of Nick Watkins (vocals) and John "Twink" Adler (guitar), with Steve Prudence (bass) and Alex Baird (drums). In July of 1978, they signed to Island Records and released a promising four-track EP. Their debut LP in 1980, Evening Standards, included the memorable, though highly derivative, "Back of My Hand," which had reached the U.K. Top 40 the previous fall. The follow-up, "Woman's World" barely scraped its way on to the charts. Though Evening Standards featured a really solid set of punchy power pop songs, critics focussed instead on Watkins' Costello-like delivery, writing the band off as merely mimics. As steam ran out of the power pop craze, the band attempted to change their sound a bit. 1981's No Tie Like the Present featured a slightly new direction, but it was generally overlooked. By 1982, the Jags had disbanded for good, though "Back of My Hand" had a revival of sorts in the '90s, appearing on several compilations. AMG
Listen: HERE
Monday, April 2, 2012
England Road - Memory Lane EP

December the 18th 2011 saw them become the youngest band in history to have their own headline night (at the average age of 15!!) at the legendary venue “The Joiners Arms” in Southampton.
England Road have a strong following in both Southampton and Portsmouth and regularly play big venues across the region. They are fast gaining a reputation in the local area as the 'ones to watch'.
When I first heard "England Road" on the Glory Boy radio show I envisaged a band that had been doing a long apprenticeship on the boards of venues all over the country, so to discover that they were so young and had played a handful of gigs was a complete surprise!
They have, quite obviously, wasted no time in mastering their instruments and honing their stage presence, so much so that they have already been compared to some of the bigger bands that have been plying their trades for 20 years plus, we won't name any names so as not to embarrass anyone.England Road are a hard working band too with gigs lined up well into the summer, all in the south of England at the moment, but I am sure it won't be long before they spread their wings for ventures across the land.
Check out the upcoming gigs list: England Road Live
Listen to samples from the EP: Memory Lane EP
England Road Official Website: OFFICIAL
Contact, follow and LIKE: Facebook
England Road continued their rise for 2012 in style. They followed up their recent success in the Hampshire Youth Music Services ‘Battle of the Bands’ semi final, in which they stormed into the final on 5th May at The Fernham Hall, Fareham, Hampshire, with a live audition for a major UK competition.
They sailed through to the regional finals of this years Live and Unsigned UK (which is later to be screened on SKY TV). February 25th saw the young band from Southampton (aged 14-17) take on the adults and show them how its done. Belting out a 2 minute rendition of ‘You Chose Your Fate’ taken from their forthcoming first EP, England Road prompted a spontaneous round of applause from the judges and ticked all the right boxes.
England Road are held in high regard by all bands they have played with and are fast gaining a reputation in the local area as 'ones to watch'. They already have a strong following in both Southampton and Portsmouth and are regularly playing big venues throughout the region.
They will return to Highlight, Unit R04, Blvd Buildings, Gunwharf Quays, Portsmouth, PO1 3TW on the 22nd April to compete in the regional final along with 17 other bands from the first auditions. If successful, they will go on to compete in the area final and will be one step away from competing in the UK Final at the O2 in London.
Sunday, April 1, 2012
The Sick Rose - No Need for Speed
The Sick Rose were arguably the first European garage band to have the impact globally in the same manner as The Chesterfield Kings (from the Timothy Gassen's book Knights of Fuzz 1980-1995).
Lead garage band in the Eighties, The Sick Rose with his fuzz and farfisa attack impressed the audience with full powered gigs, since the first released Faces LP, dated 1986.
The band performed alive with some legends of the genre (The Fuzztones, Dream Syndicate, The Nomads, Stomach Mouths and so on) and produced four full records but disbanded in 1990...
The Band comes back in 2006 with a new work, Blastin' out, produced by DOM MARIANI, the legendary leader of the Stems.
The new album gains a very good critic response and lead the band to several promotion tours.
Between 2006 and 2008 the Sick Rose toured Germany, Greece, Italy and Spain, opening for Jeff Conolly (Lyres).
Our new album NO NEED FOR SPEED is finally out!
This past fall Dom Mariani, from DM3 / Stems, flew from Perth, Australia to produce our 6th studio album. He did an incredible job! The result is a great album of power pop with many unespected undertones. We're very proud of it and we are dying to play the new songs live at our upcoming shows!
Official Page: http://www.thesickrose.com/
Contact, follow and Like: Facebook
Thursday, March 29, 2012
Beyond Veronica - Hard Time for Dreamers
Beyond Veronica has found a meaningful, inspired niche in the rock ‘n roll world, citing a diversity of influences ranging from ‘60s girl groups and ‘70s punk, to contemporary indie rock.
Performing throughout the west coast in various venues and festivals, Beyond Veronica helped pave the way for the resurrection of female-fronted power pop.What a great album! I could harp on about female fronted bands, but see no point in drawing a comparisons to others that have walked the path of Power Pop before.
Bonnie Veronica must have stood before the creator and said, "Yeah, everything is fine, now give me the best voice for Power Pop!" and clearly, she got it!
The rest of the band compliment Bonnie and keep the whole thing powering along at a 100mph (160kmh for our European friends).....just the way it should be.
It is not often that I am bowled over by an album, I don't give albums marks out of 10 but I am certainly turning this up to 11!
What they’re saying...
“Beyond Veronica are one of the best bands I ́ve heard this year.” --Punk Globe Magazine/punkglobe.com (UK)“Really solid and consistently enjoyable straight ahead rock `n roll. Front-woman Bonnie Veronica has a vocal command that sweetens and straightjackets the melodies in the songs and sweet, but assertive rock `n pop melodies hold it all together with aplomb. Very highly recommended!”-- Notlame.com
“Hard Times For Dreamers” is available on limited edition vinyl (with download card) nationwide from CD Baby.com and download from CD Baby, iTunes.com, Amazon.com, and many others.
Contact info:
beyondveronica@gmail.com
Official website:www.beyondveronica.com
Reverbnation: http://www.reverbnation.com/beyondveronica
SPENCER DAVIS GROUP - THEIR FIRST LP (FONTANA 1965) Japan Edition with 9 bonus tracks
His ferocious soul-drenched vocals belying his tender teenage years, Stevie Winwood powered the Spencer Davis Group's three biggest U.S. hits during their brief life span as one of the British Invasion's most convincing R&B-based combos.
Guitarist Davis formed the band with Winwood on organ, his brother Muff Winwood on bass, and drummer Peter York. Signing on with producer Chris Blackwell, the quartet got their first hit (the blistering "Keep on Running") from another of Blackwell's acts, West Indian performer Jackie Edwards. After topping the British charts in 1965, the song struggled on the lower reaches of the US Hot 100.
The group's two hottest sellers were self-penned projects. "Gimme Some Lovin'" and "I'm a Man" were searing showcases for the adolescent Winwood's gritty vocals and blazing keyboards and the band's pounding rhythms. Although they burned up the charts even on the other side of the ocean in 1967, the quartet never capitalized on their fame with an American tour. At the height of their power, Winwood left to form Traffic, leaving Davis without his dynamic frontman. The bandleader focused on producing other acts, including a Canadian ensemble called the Downchild Blues Band during the early '80s.
The group's first album is basically a reflection of their early repertoire and very heavy on the R&B/soul standards. Dominated by covers of Ike & Tina Turner, the Coasters, John Lee Hooker, Little Walter, Brenda Holloway, and others, only three of the tunes are original. Two of these are written by Stevie Winwood, the other by Spencer Davis; Winwood's mid-tempo soul number "It Hurts Me So" is easily the best of them. Winwood is in fine voice and the group is energetic, but this is neither as good as their best work nor nearly as good as the best British R&B albums of the era by competitors like Them and the Rolling Stones. Includes their first two British singles, "Dimples" and "I Can't Stand It."
Listen: HERE
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